“You know I keep some carrots, eat a bitch like a sandwich.” The slip into vocal caricature is self-aware and comedic without tipping into blunt parody.
“Neck on vegan, freezing, check my color palette, white like a bunny wabbit,” he raps before adopting a Looney Tunes–ian tone that recalls the antics of Elmer Fudd and Bugs Bunny. On “Z4L,” a bouncy and infectious track featuring the Chicago rappers Bari and Jay2, Smino employs a cartoonish trick of the tongue. Like their prior collaboration, BLKSWN’s gorgeous “Glass Flows,” the song is absorbing and confident. Smino reunites with the singer Ravyn Lenae for “MF GROOVE,” an aptly titled track that contrasts their ethereal voices with funky electronic production from the rapper himself. On the booming “KRUSHED ICE,” the G.O.O.D. The Windy City has become a second creative home for Smino, and several Chicago artists lend their talents to NØIR.
The song is named for the sound Smino’s many chains make as they clang against one another, and silvery production from the Chicago producer Monte Booker matches this metallic quality. The bounces of the Sango-produced “L.M.F.” are immediately followed by “KLINK,” the album’s second single. That’s what I think when I think about you.” It’s a fitting start to an album that spends much of its 58-minute run time exploring the burdens and beauty of black life.Īfter “KOVERT,” Smino’s vocal zigzags and lyrical twists set the course for the album. “Strong, sweet, that’s what I think when I think of Noir. Black, statuesque, you know?” she breathes. The album opens with “KOVERT,” which begins with a seductive whisper from Smino’s longtime girlfriend and frequent collaborator, the musician and filmmaker Jean Deaux.
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“This feel like hallelu-jah.” Eighteen months later, NØIR brings black love full circle. “Turn up the vala-yume,” he sings, stretching the word into three smooth syllables. On the track, which the musical juggernaut T-Pain later remixed, Smino’s affections send his voice into ecstatic wails somewhere between R&B and gospel. Frequently name-checking his musical forerunners, Smino is both deferential and imaginative. On “ Anita,” the second single from his debut album, BLKSWN, the artist offered a groovy dedication to the legendary singer-songwriter Anita Baker (and to all black women). Born Christopher Smith Jr., the young Smino began listening to rap largely at a cousin’s house because he wasn’t allowed to do it at home, where his parents insisted on “a bunch of jazz music, a bunch of soul music, so much gospel music,” as he recently told Rolling Stone. The line also functions as a nod to his musical roots. He excels in these moments, capturing the small rebellions of black youth without overstating any incongruence. That Smino would reference both marijuana and the celebrated gospel duo Mary Mary in the same bar is just one example of the saucy, winking lyricism that characterizes his music. The song’s chorus is impossibly catchy-and captures Smino’s range of influences with remarkable precision: It’s a delightful vignette, but the appeal of “L.M.F.” extends beyond this bite-size Soul Food. The scent of doughy dinner rolls and freshly snapped green beans and weed smoke practically wafts through the frame. The video’s bright yellows, reds, and greens leap off the screen. Smino and his “monkey” (really a lemur) entertain guests with the help of a crew of aunties-and a version of Smino meant to look like his father, complete with gray hair, thick-rimmed glasses, and business-casual attire. One of them relays the sight of Smino “riding around with a whole monkey on his lap,” then quickly gets to the reason for her call: “That nigga done went and got real Hollywood or whatever, but I did hear he was having a kickback tonight though.” And so begins the charming conceit of the video: a giant dinner-turned-party, hosted at the rapper’s family home. The video for “L.M.F.,” the album’s first single, begins with a phone conversation between two women. The 27-year-old’s newly released sophomore album, NØIR, builds on his years of making funky, soulful music. He weaves multiregional R&B into the tapestry of his rap. He delights in the indulgent poetics of slant rhyme.
Louis–bred rapper twists his voice into dizzyingly distinct harmonies. Smino isn’t afraid to get a little weird.
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